![]() The little critter was so close to eternal peace, but even that was cruelly taken from him. (Is his eternal misery somehow essential to the well-being of the universe? One cannot help but ponder.)Īt the end of the film, Scrat died and went to Scrat heaven where he was rewarded with joyous amounts of acorns-including the God acorn.īefore Scrat could touch it, however, Sid used CPR to bring him back to life-much to his dismay. The separation emptied the flood and saved the lives of many, but Scrat fell to his doom. ICE AGE ADVENTURES SCRATLANTIS CRACKAlas, at the end of the film, he caused yet another cataclysmic crack that separated a large wall of ice. While the other animals evacuated to escape a mass flood, Scrat was creating modern wonders like the pole vault, the martial arts, and the greatest of all inventions: the wheel.Īfter these fantastical feats of engineering, Scrat eventually secured his acorn. In Ice Age 2: The Meltdown, Scrat’s passion for acorns forced him to invent tools and techniques that the human race would eventually adopt. The formation of the continents was the first of many contributions Scrat made to the modern world. It didn’t take long before Scrat’s compulsion led him to trouble when one out-of-order nut caused havoc that flushed Scrat off a cliff and caused another acorn to hit him so hard, it made the entire world break apart. (Could this hoarding behaviour stem from an unhealthy obsession that plagues his psyche? One cannot help but ponder.) At a glance, the collection seemed overindulgent. Rewinding the clock back 20 million years is Scrat’s missing adventure Gone Nutty, a DVD extra short film which saw Scrat gathering a hearty collection of acorns for the winter. ![]() It is clear that a metaphysical presence was stopping his every attempt at simple happiness, but we are never told why. When he tried to bury it, the sand itself took on an ice-like quality by cracking impossibly and causing a nearby volcano to erupt. He thawed on a deserted island and found an even greater prize: a coconut. At the end of the film, Scrat ended up frozen in ice for 20,000,000 years (which is still nowhere near present day). ![]()
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Interlacing is generally dead since most deliverables are computer/device based. I'm guessing that I just need to make a 60p ProRes preset and use that for those clips and I can continue as normal after that? That's because it's copying the card structure. ![]() It expects to rebuild the P2 card structure. Expecting things to work the way you expect.is where the problems lie. I'd rather say, that you need to reframe the way you work. Or these are just things I'm doing wrong. Thanks for reading my rant, if you made it this far, just had to get it off my chest a bit. (While I'm on the subject, what do people here think of working with interlaced material versus progressive? I would personally prefer to work with progressive footage through the entire production chain, then make an interlaced deliverable if necessary, but I'm wondering if there's something I don't know about that makes that a non-ideal workflow) However, we are supposed to be using Prelude to transcode to ProRes 422. I know that in Premiere I could easily interpret the P2 footage to play in slow motion in a 29.97 interlaced timeline. ADOBE PRELUDE CC 2015 QUE ES 720PHowever, I have some clips on the card that are 720p 60p (AVC-Intra), intended for doing some slow motion. Like I said, little things that add up to become a bigger annoyance, when compared to FCP7 Log and Transfer (a different beast, I know).Īnd the question - This is all P2 footage, the majority of it being shot DVCPro HD 1080i60. preview/transcode only channels 1 and 2 of a 4 channel recording) The ingest window closes every time you ingest a clip, which would be fine except for the above problem.Įvery time the ingest window is opened it resets ins and outs, selected clips, and the option to transcode.Ĭan't do anything with audio (e.g. It doesn't mark clips that have been transferred/transcoded.Ĭan't move clips or stitch them together from multiple cards at the same time.Ĭan't rename clips individually, it only allows to rename selected clips upon ingest. Or these are just things I'm doing wrong.any good tutorials on using Prelude in a real workflow (not Adobe demo stuff) out there? Editors can import and combine this metadata with footage from Prelude throughout editing to facilitate various tasks.It's just the little irritations and imperfections that build up to cause me to very much dislike it right now compared to the previous tool we used, FCP7 Log and Transfer. Prelude Live Logger is designed to capture notes to use during video logging and editing while you shoot footage on an iPad's camera. Prelude Live Logger is an application integrated with Prelude CC. OnLocation also had a Media Browser pane, which is the standard for any Adobe program today, Prelude has this Media Browser as well. Adobe OnLocation also allowed the user to add tags and scripting metadata that would carry over to Premiere Pro. Adobe OnLocation thrived on tape - based cameras and setting up a shot before shooting it, with the change in the industry, this problem is irrelevant in post production. ![]() Many features from Adobe OnLocation went to Adobe Prelude or Adobe Premiere Pro. Prelude is an XMP - based open platform that allows for custom integration into many video editing platforms. ADOBE PRELUDE CC 2015 QUE ES SOFTWAREthat gives subscribers access to a collection of software used for graphic design. Rough cuts can hold metadata such as markers and comments, and this metadata will stay on this footage. Adobe Creative Cloud is a set of applications and services from Adobe Inc. Rough Cuts are a combination of sub clips that will hold any metadata a user feeds into it. Prelude can log data only using the keyboard. Once ingested, Prelude can duplicate, transcode and verify the files. Prelude can ingest all kinds of file types. ADOBE PRELUDE CC 2015 QUE ES PROA user can add a tag to a piece of media that will show up on Premiere Pro or if another user opens that media with Prelude. Prelude is used to tag media, log data, create and export metadata and generate rough cuts that can be sent to Adobe Premiere Pro. Support for existing users will continue through September 8, 2024. In 2021, Adobe announced they would be discontinuing Adobe Prelude, starting by removing it from their website on September 8, 2021. Adobe still offers technical support for OnLocation. Adobe OnLocation was available in CS5 but not in CS6 and Adobe Prelude is only available in CS6. Adobe stated OnLocation's production was stopping because of the growing trend in the industry toward tapeless, native workflows, Adobe stresses that Adobe Prelude is not a direct replacement for OnLocation. Adobe announced that on ApAdobe OnLocation would be shut down and Adobe Prelude would launch on May 7, 2012. ![]() ![]() ELO were formed to accommodate Roy Wood and Jeff Lynne's desire to create modern rock and pop songs with classical overtones. ![]() You can find the list of Electric Light Orchestra tour dates here.Įlectric Light Orchestra are a British rock group from Birmingham, England, who released eleven studio albums between 19 and another album in 2001. ![]() Four members of ELO continued to perform under the name ELO Part 2 until the turn of the Millennium.Electric Light Orchestra concert tickets are on sale. The vocal harmonies, the rich sound and the melodies that got stuck in everyone’s heads, placed them in the front row of rock and roll legends.Īnother album of the band, ‘Time’, from 1981, combines contemporary electronic beats and classical string instruments with an innovative sound that has been phenomenally successful, which has led to a world tour. ![]() The song ‘Diary of Horace Wimp’ was a tribute to the Beatles’ song ‘A Day in The Life’. The album was accompanied by videos for each song, with exceptional animation technology for the period. DISCOVERY is ELO’s first album that reached number one in the British charts and was on the move for five straight weeks.įrom the album there were no less than 5 hits including “Last Train To London,” “Shine A Little Love,” “Don’t Bring Me Down, “Confusion,” and “Diary of Horace Wimp.” On May 31, 1979, the band released its 8th album, DISCOVERY, one of the most popular albums of all time, in which the band experimented with roots in Disco. In order to give a classic touch to their songs, band members of THE ORCHESTRA Starring Former Members of ELECTRIC LIGHT ORCHESTRA play string instruments such as cellos and violins.īetween 19, ELO sold over 50 million copies worldwide and won no less than seven gold or platinum albums in the US, six of them in succession. The band was founded by Jeff Lynne and Roy Wood in 1971 and operated until 1986 in different ensembles. ![]() ELO has sold more than 100 million copies worldwide and won a host of prestigious awards. The show will celebrate many of ELO’s greatest hits of all time.Īs part of the 40th anniversary celebration of the album, and for the first time outside the US, all 8 members of THE ORCHESTRA Starring Former Members of ELECTRIC LIGHT ORCHESTRA will arrive in Israel for a performance that will include all the Greatest ELO Hits.Įlectric Light Orchestra, or ELO, was the band famously labeled “The Beatles’ Sons,” by John Lennon. On the special occasion of the 40th anniversary of the DISCOVERY album, THE ORCHESTRA Starring Former Members of ELECTRIC LIGHT ORCHESTRA will hold two special performances during the first Monday and Tuesday of February 2019. Udi Appelboim from Concerto and Guy Beser & Shay MorYosef from Bluestone Group and it’s daughter company Live Nation, proudly present the return to Israel of THE ORCHESTRA Starring Former Members of ELECTRIC LIGHT ORCHESTRA between 19 in a show that has attracted millions around the world for over 2 decades. International Classic Rock sensations, THE ORCHESTRA Starring Former Members of ELECTRIC LIGHT ORCHESTRA, return to Israel for 2 very special performances to celebrate the 40th anniversary of the legendary ELO album, DISCOVERY.īe a part of an exciting performance featuring the 8 members that audiences have known and loved in America and who will now grace the stage of THE MANN AUDITORIUM on February 4th and 5th. ![]() ![]() (You can also leave them docked permanently if you don't want rear audio, which some people find disconcerting.) I don't recommend the dock-to-recharge option, as it's a lot of hassle: You have to remove (and keep track of) plastic covers from each end of the bar, as well as remove (and keep track of) the stands from the bottom of each speaker. The satellites can recharge via their AC adapters or by docking on either side of the sound bar. However, if you don't have outlets to spare, or they're not conveniently located, or you just don't want unsightly cords mucking up your decor, you can opt for battery power: Each speaker is rechargeable and good for up to eight hours, according to Majority. You can go the standard route and just plug each one into an AC outlet, which is what I did. Speaking of surround, the satellite speakers are more versatile than most. You won't get true 5.1-channel surround, either. SURROUND SOUND CONTROL BLUETOOTHWhy not use Bluetooth to take one more cord out of the equation? You can, assuming your TV supports it, but it's not the best option: Bluetooth is a compressed-audio technology, so you won't get optimal sound, and it can suffer from connectivity and latency issues. The main sound bar requires AC power as well, of course, but also relies on an HDMI cable to plug into your TV. ![]() It's almost completely wireless, meaning the subwoofer and satellite speakers require nothing more than proximity to an AC outlet (though the latter are also rechargeable more on that below). The Everest is about as plug-and-play as these things get. ![]() ![]() Just plug in the satellites and subwoofer and you're done. The Everest effortlessly adds 5.1-channel surround sound to your living room. ![]() ![]() ![]() The current curriculum will graduate the watchmakers with a level-2 designation. Level 4 is reserved for the highly complicated timepieces such as repeaters and split-second chronographs. #Patek philippe horology programme new york manualLevels 1-3 cover all the basic skills required of modern watchmakers as well as all the skills needed to service and restore most of Patek Philippe’s quartz, manual wind, and automatic watches. While the school follows a traditional watchmaking school calendar, the training is completely integrated into the highly revered Patek four-level tiered training system already available to qualifying watchmakers. The US-based school will follow the two-year curriculum already established in the Shanghai school. #Patek philippe horology programme new york freeThis in turn will free up the veteran watchmakers to handle some of the more complicated repairs that in the past would have made the transatlantic journey. Instead of requiring more repairs to be sent back to Switzerland and causing a longer turnaround time, Patek found it was necessary to train new watchmakers in-house to their products and standards. This number doesn’t include all the repairs that must be sent back to Geneva. ![]() Their US-based service center currently provides service to around 10,000 timepieces a year, currently split among 19 watchmakers. Patek Philippe, like many other brands, recognized that the amount of repairs being received by their service center was going to drastically increase in the near future due to the favorable sales market over the last 20 years. Patek Philippe opened its first satellite watchmaking school in 2013 in Shanghai, China, at the prestigious Maison Patek Philippe Shanghai. This newly established in-house watchmaking school is only the second of its kind outside of Geneva, Switzerland. Laurent Junod has now earned the title Director of Technical Training at the Patek Philippe Horology Programme New York. After an official announcement from Patek-Philippe in early October we now know. When we reported on the management changes at the Henri Stern Watch Agency in September, it was unknown where long-time Technical Director and Master Watchmaker Laurent Junod would end up within the company. Patek Philippe USA Opens Tuition-Free Watchmaking School ![]() ![]() ![]()
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![]() ![]() The musical review has no true plot but lasts for about two hours and features a cast of only nine members. Plus, there are a couple of other events of. Address: 4220 Forsyth Rd 31210 Macon, GA, US. The Warner Robins Little Theatre wraps up the first show of its 2021-22 season this weekend with performances of Cry Havoc Friday and Saturday. We remember when we saw that at the movies and where we were and who we were with and all those kinds of things,” said Sylvia Haynie, guest director for the show. Macon Little Theatre Guild in Macon, Georgia Georgia Reviews Directory. 2022 Brent Cobb and Hayes Carll Capitol Theatre, Macon Saturday October 29. “It’s music that strikes a chord in all of us. We are your premier stop spot for Sal Vulcano Center Stage Theatre November. MACON, Georgia (41NBC/WMGT) The Macon Little Theatre is returning to the stage after closing their doors more than 500 days ago. Popular places to visit in Macon Little Theatre Image for The Allman Brothers Band Museum at the Big House Image for Rose Hill Cemetery Image for Museum of. The songs are weaved between narration that will remind the audience how much feature pictures influence our lives and culture. Macon Little Theatre’s production of “Blame it on the Movies” is set to run March 24 until April 2.īlame it on the Movies is a musical journey through the songs of well loved films from the 1930s all the way up until 1990s classics. Take a Musical Journey with Macon Little Theatre ![]() Macon Little Theatre Takes Audience Through the Ages ![]() ![]() ![]()
What We Don’t Like About Disk DrillĪs with many recovery software, Disk Drill can take a while to complete. Overall, Disk Drill allows you to recover important data while also clearing out clutter. Disk Drill comes with tools that allow you to monitor your disk health, locate unused files, identify and remove any duplicate files, backup, and protect your data, and scan for lost data. 3. TENORSHARE ANY DATA RECOVERY PRO FREEWe saved the very best feature for last: the extra free disk tools. We like how beginner-friendly Disk Drill is for the average user. 3. TENORSHARE ANY DATA RECOVERY PRO SOFTWAREIt’s as simple as downloading the software and simply clicking the “recover” button.Īny other additional steps are also easy to figure out. You don’t have to be any kind of tech expert to even get started. The versatility in this is fantastic and makes it great for all kinds of users.ĭisk Drill is super easy to use. Sometimes software limit you to just a few formats, but with Disk Drill, you’re able to retrieve or reconstruct 400+ file types. My personal preference in wiping a magnetic drives traces of personal files is a random data pass to erase/wipe the sensitive data and a zeros pass to optimise sector by sector backups by ensuring the free space contains zeros so is readily compressable and strictly leaves no evidence of the space ever containing data in the past.Ĭan I prove it is sufficient? no as I don't have the necesary lab ecuipment or modified drive electronics to perform a hypothetical lab data extraction and don't have any data that would warrant government or institutional interest by parties that might conceivably have the resources to attempt labratory forensic data retrieval, honest LOLWe really like how you’re able to recover all different file formats using this software. Single pass wipe is in all probability sufficient with modern magnetic drives with modern recording techniques but it is not good to cover ones ongoing criminal tracks with since it takes so much longer to perform an entire surface write on modern hard drives and a computer and drive can be siezed and powered down in a raid long before any significant overwrite progress had been made! BTW the multi-pass overwrite needed claim is not urban legend it historically was presented as a risk by the people that claimed the risk, the need for 35 passes was a theoretical sequence of patterns to provide a known outcome with the recording modes of the time but bear no relevence with modern recording technologies. Ilikefree, of the available methods the fastest desanitising method is degausing with purpose built degausing tool, then physical destruction, but both render the magnetic media unusable since the low level formatting is destroyed in both instances. This feels buggy and unstable and will probably be uninstalled. 3. TENORSHARE ANY DATA RECOVERY PRO PLUSto me, combined with the initial startup instability first experienced with this plus the seemingly unecessary added service. one started at 32768 byte but later in the scan the same numbered JPG shows as only 2.Bytes. Oddly the found jpg files sizes changes during the scan procedure. Out of curiosity I tried setting the service startup type to disabled and re launched the main program and there were no complaints by the program and it's now mid scan of the same SD card and is finding the same JPG files. 3. TENORSHARE ANY DATA RECOVERY PRO MANUALTo stop the service starting at every boot up I changed its start method from automatic to manual as when the main program is launched it starts the service itself so no need to have it running from startup! I tried it on a Chinese fake 256G SD card force formatted to its real 8G size and it found 10 jpg files 9 of which reported a size of 2 bytes and the other one 32768 bytes but was corrupted. I notice that it installs a service "CardDataRecoveryService" which seems massively overkill to have running all the time! It accepted the supplied email address and reg key. oddly it settled down eventually and stopped crashing on program launch. On first few execution attempts it failed to properly start, crashing a few times asking to send data about the crash to microsoft. ![]() 3. TENORSHARE ANY DATA RECOVERY PRO DOWNLOADDownloaded and installed without issue, appart from the obtaining the download link troubles. ![]() ![]() ![]() If you are part of a new working group looking for space, please contact me and we’ll add you to the queue. Please note- all Working Group/BoF space requests are subject to approval by the Foundation. Openstacksummit barcelona software#OpenStack software powers digital bussiness at some. OpenStack is also the community that comes together to collaboratively creates technology, innovate and puh the state of computing forward. OpenStack is much more than just a specific set of software with discrete features. All requests must be received no later than October 10th. OpenStack Summit Barcelona 2016 Sofia enriquez sáb 29 octubre 2016. We will still accept official Working Group space requests as well, but everything submitted after September 15th will be scheduled on first come, first serve basis. Starting Friday, September 16th at 10am CT, we will open up space for all working groups to submit their space requests. Additionally, we’ve been contacted by several new working groups and teams, such as the Kubernetes SIG and Performance WG. We’ve also been working with a few groups outside the User Committee, such as DefCore (now called the Interop WG), UX team and track chairs to organize space during the Summit. We’ve offered official working groups up to four slots for working space and/or BoFs about their specific topic. ![]() We have four meeting rooms that seat approximately 30 people each with availability Tuesday - Thursday during official Summit hours (not overlapping with Keynotes). To catch everyone up on the process, the Summit team has been reaching out directly to official working group leaders (as defined by the User Committee) to reserve meeting room space in Barcelona. Just a quick reminder that today is the deadline for official Working Groups to submit their space requests before we open it up to all the other groups tomorrow morning.
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